Montenegro on Stage
Montenegro
on Stage
Montenegro has been participating in the Eurovision Song
Contest with Yugoslavia and Serbia. In 2007 Montenegro made their debut as
their own country. Montenegro reached the grand-final twice and in 2015 it got
13th place. The way that Montenegro chooses their participant is by
randomly drawing from a pool of applicants. In this blog, I will be breaking
down three performances, examining the lyrics and the overall performances. The
performers will include Knez (2015), the band Highway (2016), and Slavko
Kalezic (2017).
In 2015, Knez represented Montenegro
with the song Adio. Adio translates to goodbye. Knez made it to the grand final
and placed 13th. During the performance Knez is centered and
surrounded by five back up dancers and singers. At one point of the
performance, Knez and the dancers seem to be dancing in a traditional way. The
song was also sang in Montenegrin. Looking at the lyrics, one can receive it in
two ways. One way that the lyrics could be received is that the song is meant
for a loved one who has passed and is telling their lover to let go, however
the one narrating is saying that he will never let his love go, and will always
be loyal. He has tried to let go, but cannot seem to be able to let go of their
history that they have made together. One stage he is surrounded by women, but
there are no interactions or intimacy between the singer and the women. By not
having any interactions with the surrounding women, it could symbolize the
narrator of the song being loyal to his passed lover. The song being about two
lovers is one way that someone could receive the message. The second way that
one could receive the song, is how the song is meant for Serbia. Montenegro is
singing to Serbia. Serbia is the “lover” who has passed, symbolizing the
departure of Montenegro from Serbia. Montenegro is telling Serbia that even
though Montenegro has separated from Serbia and being with Serbia is in
Montenegro’s past, Montenegro will not let Serbia go. The lyrics “I still don’t
give you to the mists of the mountains,” means that Montenegro will not let go
of Serbia even if the Dinaric Alps are separating them. There was the colors
blue and red as the colors of the mountains one the back screen during the
performance, the colors could associate with the colors on Serbia’s flag. The
song representing the relationship between Montenegro and Serbia could be one way
someone could receive the message of the song. Nevertheless, the overall
performance was amazing, Knez’s vocals were great, and the whole song itself is
very catchy and it has a nice melody.
The following year, 2016, the band
Highway performed the song The Real Thing. Highway made it to the first
semi-final and was unfortunate and did not make it to the grand final. The
performance began with the main singer walking to the front from the back.
There was four male band members and a female who was separated from the band.
The woman was on a smaller stage that connected to the big stage. The
performance had a lot of camera changes and a lot of flickering lights. With
the camera shots and flickering lights, the performance seemed like a punk-rock
concert and not so much of a performance for a competition. From the lyrics and
the performance one message that the band might have wanted to send, was how
the song is about two lovers and how the man is saving the woman. Based on the
lyrics “you got / shadows spinning on the walls,” one could say that the lyrics
means that the woman has demons surrounding her and she does not know what if
real and not real. The man is able to see past her demons and wants her to know
that he is real, he is the “real thing.” He will do anything for his love.
Putting the lyrics with the performance, the woman is doing hand movements and
body movements as if she was fighting her demons away. However, she stops at
the end when one of the band member approaches her. By her stopping it could
mean that he the man was able to save the woman from her demons. Nonetheless,
the interpretation of the song could be a huge stretch. The song was hard to
find a message, a storyline due to how little lyrics the song had and how
blinding the performance was.
The song Space was performed by
Slavko Kalezic in 2017. Kalezic had an eye-catching performance at the
semi-final, but unfortunately did not make it to the grand final. The
performance included screen projection in the background and on the floor of
the singer. Kalezic rips of his skirt right before the chorus, and towards the
end of the performance he starts to whip his breaded hair. By reading the
lyrics and interpreting his actions on stage, here is one way someone could
receive a message. The song is about two lovers who are a part of a forbidden
love. The lyrics “we can be as one in the sin” further explains that the two
lovers are in a forbidden love because the love that they have is sinful. The
narrator of the song is telling his lover to go with him on an adventure
together, away from the people who looks down on them. An adventure away from
people, such as taking a “rocket to the stars,” flying away from earth to
“explore the galaxy of stars” (Montenegro, 2017). From the lyrics “I have my suit
on, no need to worry,” the speaker is telling his lover that his lover does not
need to worry because he will always be ready to go anywhere with his lover.
When Kalezic rips off his skirt, the movement represents him letting go of his
past and him stepping out of hiding. The action shows that he is accepting that
him and his lover are in a forbidden love but he is tired of hiding. Kalezic
shows that he has no care in the world when he starts to whip his hair.
Whipping his hair represents that he does not care what other people think
about him and his lover. Therefore, the song overall has a great beat and
melody, and Slavko Kalezic gripped onto his performance and made it his own.
The three performances from
Montenegro, 2015, 2016, and 2017, suggest that Montenegro can show diversity in
some aspects, and cannot show diversity in other aspects. Montenegro show
diversity by the different styles of music it sends to Eurovision. In 2015,
Montenegro sent a traditional balled song, in 2016 a rock song, and in 2017 a
pop song. Another way Montenegro showed diversity was having both genders on
stage. In 2015 and 2017, the performances included males and females. However,
diversity is not presented by the gender of the main singer. The main singer
for all three years were males. Therefore, Montenegro’s attitude towards
diversity is very dispersed, such that, the overall performance is not quite
diverse, but there are some parts of the performance can be seen as diverse.
References
Highway. (2016). The Real Thing (Montenegro). Eurovision Song Contest 2016 Stockholm [DVD].
Baarn, NL: Universal Music Group.
Knez. (2015). Aido (Montenegro). Eurovision Song Contest 2015 Vienna. Retrieved from https://www.youtube.com/watch?v=MTyi2XeeoJU
Slavko Kalezic. (2017). Space (Montenegro). Eurovision Song Contest 2017 Kyiv [DVD].
Baarn, NL: Univeral Music Group.
Hi there! Aren't Montenegro fun and also slightly confusing at Eurovision? I think you could be forgiven for assuming that the Montenegrin selection is random, but I believe that in 2015 - 2017 it was the choice of a panel from applications received. They just had a national final this year, which was quite nice.
ReplyDeleteMinor point of blog stylistics first of all - it's much easier to read short paragraphs rather than a giant wall of text.
Adio is a bit of a Eurovision classic! Glad you enjoyed it, and I thought your interpretation was really interesting.
As far as The Real Thing and Space are concerned, I think it would maybe be interesting to view them as contrasting takes on male sexualities?
I know this reply is long overdue, however I would like to thank you for taking the time in reading my blog. Also thank you for some blogging tips, and thank you for the feed backs.
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